As the night went on, students performed musical pieces and a dance medley, while student artwork hung in a gallery nearby. During the concert portion, Ma was inspired to perform the Prelude from the Cello Suite No. 3 in C Major by Johann Sebastian Bach by his work with UCW, and the students performed a song that they had composed in response to a challenge Ma posed the last time he was there: Take the school creed (which is recited every morning), and set it to music.
For the past seven years, Ma has worked closely through the Urban Education Institute (UEI) to promote arts education at UCW, which enrolls students in grades six through twelve.
His involvement with the school began at a lunch with UEI director Timothy Knowles and Chuck Lewis, a governing board member for the U of C Charter Schools.
“They showed me the statistics,” Ma said. “Out of 100 boys in CPS [Chicago Public Schools], by the time they’re 25, six will have graduated from college. I saw that and said, ‘I can’t live in a parallel world where this happens.’”
Since then, Ma has played an integral role in forging a partnership between the UEI and the Chicago Symphony Orchestra, where he has been a creative consultant since December 2009.
“We’re trying to see whether arts integration works as a core subject. We’ve been talking to principals and teachers because we think this kind of stuff—disciplined imagination—works. This is what gets people excited,” Ma said.
And arts education, Ma believes, is integral to UCW’s ability to keep its students engaged and in school.
“What’s exciting about Woodlawn is that it has a 97 percent graduation rate,” he said. “One thing that it’s doing right is expression. Once you have individual expression, that’s when the collective will and the intersection happens. The secret is collective will and an absolute respect for individual expression. That’s how you get to the next level.”
Ma has been instrumental to that success, according to Knowles.
“Yo-Yo has been a conspirator in our endeavors. He has been a very big part of our work,” Knowles said.
Partly due to Ma’s influence, the Chicago Symphony Orchestra has been supporting the fine arts department at UCW, bringing in musicians and teaching artists, according to UEI spokesperson Katelyn Silva.
“The CSO has partnered with our school for a class. This is one piece of an academic puzzle that we’re really excited about,” she said.
One of the teaching artists is Philip Boulanger, a cellist who performed with UCW students during the concert. He explained that his involvement “stemmed out of the UEI and CSO partnership.”
“We’ve been here since December and January working with them every week,” he said.
The effect of Ma’s support hasn’t been limited to the music curriculum, according to UCW’s fine arts director, Ahava Silkey. The dance program has flourished as well, expanding from a nine-student affair two years ago to a full dance company with three classes and a dance studio.
“We’ve come a long way in a short time,” said Lewis.
Brooke Williams, an art instructor who organized the exhibit that accompanied Friday’s concert, said that the classes at UCW are likely the first time these students have been able to study art.
“A lot of these kids don’t get to have art until high school,” she said.
Devon Goodloe, a high schooler at UCW whose work was featured in the art show, is one example.
“I used to do it just as a hobby,” he said, “but now I’m taking a class.”
Friday was Ma’s fourth time visiting UCW.
“I love this place because of the energy. The intersection of caring and commitment and disciplined imagination—I’m moved by it,” he told the audience in his closing remarks. “When we talk about excellence, it’s not an abstract thing. We saw it. We heard it.”