Tradition and training behind the scenes with campus improv troupe

UT makes suffering students feel a little better with stories of pain and suffering.

The Dean’s Men are putting a modern twist on Shakespeare’s ulta-violent Titus Andronicus for their autumn production. The play begins Thursday, December 3.

UT plays the junkyard blues in its own telling of Arrabal’s irreverent drama.

Incorporating lively music and numberous monologues, the Young Adult division of Steppenwolf Theatre puts on a faithful rendition of the classic Chicago novel.

While students prepare to say goodbye to campus life for a few months or for the rest of their lives, Eurydice serves as a reminder of the sorrow of loss—and offers hope of reconnection through love.

Sidecar adds a little twist to the ordinary with its new dance performance.

In light of the current recession, Steinbeck’s Of Mice and Men couldn’t be more relevant. Fortunately, Steppenwolf for Young Adults’ production allows audiences to experience the classic novel on another level.

Kristina Wong, a multi-talented artist and Center for the Study of Race, Politics and Culture’s artist-in-residence, has come to the U of C to lead an acting workshop and perform her latest solo show, Wong Flew Over the Cuckoo’s Nest.

The Broadway musical transforms common problems with rent and relationships into an entertaining performance with members from the original cast.

Mickle Maher, a Chicago play wright and actor, creates theater in untheatrical settings—panel discussions, lectures, and debates.

At the Theatre at the Center, the holiday season starts with a new twist on that an old Frank Capra story.

UT’s Sketch Show brings the quick-fire wit of Saturday Night Live to Reynold Club’s First Floor Theater.

To condense Fyodor Dostoevsky’s The Brothers Karamazov, a 776-page novel, into a three-hour play is no small task. Fortunately, Lookingglass Theatre’s world premiere overcomes this challenge.