This summer’s Pitchfork Music Festival commenced with scorching temperatures on July 19. Marketing itself as “the best and most unique festival in the world,” Pitchfork is an annual hipster-indie-alternative musical paradise, this year hosting 46 musical acts on three different stages in Union Park. The festival is organized by Pitchfork Media, an Internet publication known for being one of the first to publicize bands such as Bon Iver and Arcade Fire.
Last year’s repertoire featured such mainstream, prominent names as Vampire Weekend, A$AP Rocky, Grimes, and Kendrick Lamar, but this year was geared toward Pitchfork favorites TNGHT, Angel Olsen, Lil B, and Joanna Newsom. (They’ll never miss a chance to plug their “Best New Music.”)
Over at the Green Stage, Mac DeMarco, a droll Canadian rocker, had the crowd grooving with wacky covers and jangly rock ’n’ roll. DeMarco had the crowd chanting his lyrics as he precariously balanced his girlfriend on his shoulders in the final number. Perhaps we could have gone without the zany impressions, but his performance was equally entertaining and engaging.
The day closed with headliner Björk, dressed to the nines in a golden dress and a dandelion-like headdress. Backed by a girls’ choir, she effortlessly powered through old hits (“Hunter,” “Hidden Place”) and newer songs from Biophilia. Synths were provided care of a handy zeusaphone (a singing Tesla coil) that hung above the stage. Even though the set was cut short due to an impending storm, her powerful performance and unconventional special effects made for a great Friday headliner.
Metz, a Canadian punk band, energetically powered through their set at the Blue Stage. The band certainly has a penchant for over-the-top vocals and high amp volumes, but it wasn’t unwelcome by the crowd. Between the ethereal bravado of Joanna Newsom and the unfunny ironic cult that is TheBasedGod (Lil B), Metz’s screaming and hardcore guitar riffs were something very novel to the festival.
Alternative R&B artist (and Beyoncé’s sister) Solange performed a funky set for a surprisingly large crowd at the Green Stage. She encouraged the audience to get down and dirty—at one point she requested that the crowd grind as if it were a “high school dance.” While writhing on the stage, she belted out some of her most popular songs “Some Things Never Seem to Fucking Work” and “Losing You.”
Competing with R. Kelly as one of the two finales of the night, TNGHT ended the festival with their distinctive minimalist trap music. As an electronic duo with only five songs released from their eponymous 2012 EP, they managed to bring a large, sweaty crowd over to the Blue Stage. Lunice, who performed at this year’s Summer Breeze, and Hudson Mohawke worked the crowd effortlessly, mixing their older, released material with rappers like Kanye West and Big Sean. It was certainly worth skipping out on R&B singer R. Kelly’s performance—those who saw TNGHT were even able to witness the crowd-surfing of an industrial garbage can.
This year was not Pitchfork Music Festival’s most jaw-dropping lineup, but the festival certainly lived up to its reputation as “unique.”