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All content by Alina Kim
UChicago Moot Court Places Second in National Competition
By
Alina Kim
, Arts Editor
February 19, 2022
The Fleeting “Eternals” Flies Too Close to the Sun
By
Alina Kim
, Arts Editor
January 11, 2022
The Suicide Squad Reboots Franchise With Guts and Glory
By
Alina Kim
, Arts Editor
October 10, 2021
CPOST Research Finds New Right-Wing Extremist Demographic Trend in Capitol Insurrection
By
Alina Kim
, Arts Editor
June 8, 2021
39. In, De-ed
By
Chris Jones
,
Alina Kim
,
Cooper Komatsu
, and
Nish Sinha
May 12, 2021
“Godzilla vs. Kong” Is Absurd and We Know Exactly Why
By
Alina Kim
, Arts Editor
April 18, 2021
38. New Year’s Rockin’ Eve
By
Chris Jones
,
Alina Kim
,
Cooper Komatsu
, and
Nish Sinha
April 13, 2021
Kenjiro Lee’s “PRIMAL” Says It’s Okay to Scream
By
Alina Kim
, Arts Editor
February 28, 2021
I KNEW I Smelled a Rat!: A Review of “Ratatouille: The TikTok Musical”
By
Alina Kim
and
Gabi Garcia
January 19, 2021
Professor Lima Used Pokénomics! It’s Super Effective!
By
Alina Kim
, Arts Editor
November 23, 2020
“The Savior’s Sister” Needs Salvation
By
Alina Kim
, Arts Editor
October 26, 2020
Red Is Lowkey Sus: A Political Reflection on “Among Us”
By
Alina Kim
, Arts Editor
October 5, 2020
Caffeine Around UChicago: When Your Coffee Pot Isn’t Enough
By
Alina Kim
,
Saumya Jain
, and
Isabella Cisneros
September 15, 2020
“Clone Wars”: The Siege of Mandalore Is Our Binary Sunset
By
Alina Kim
, Arts Editor
June 2, 2020
Oh, My Dear Clone Wars. How I’ve Missed You!
By
Alina Kim
, Arts Editor
May 21, 2020
Ariel Salmon: Reflections on the Rise of Digital Media
By
Alina Kim
, Arts Editor
May 18, 2020
“Beastars”: The Bewildering Escape That Was, In Fact, Not Escape
By
Alina Kim
, Arts Editor
April 20, 2020
The Paradox of Control in “Occam Ocean”
By
Alina Kim
, Arts Editor
March 6, 2020
The Self-Defeating Irony of Progressive Animation
By
Alina Kim
, Arts Editor
March 3, 2020
Samson Young: Silver Moon or Golden Star, Which Will You Buy of Me?
By
Alina Kim
, Arts Editor
October 31, 2019
Opening Day: Bread, Butter, and Power
By
Jad Dahshan
and
Alina Kim
October 21, 2019
Where to Get Your Groove on at UChicago
By
Alina Kim
, Arts Editor
September 22, 2019
Ricky Novaes Doesn’t Want to Write the Next Harry Potter
By
Alina Kim
, Arts Editor
June 3, 2019
The Wind Blew Me Away, but Aminé and Co. Reeled Me Back in
By
Alina Kim
, Arts Editor
May 27, 2019
Kissin’s Ferocity and Uchida’s Velocity Charm the CSO
By
Alina Kim
, Arts Editor
May 27, 2019
“Yellow Face”: Is It Merely Skin-Deep?
By
Alina Kim
, Arts Editor
May 17, 2019
Winter Is Coming: A Third-year’s Perspective on Musicianship and Academics
By
Alina Kim
, Arts Editor
May 3, 2019
“Endgame”: Cinematic Lessons Hitherto Undreamt Of (Spoiler-Free)
By
Alina Kim
, Arts Editor
April 29, 2019
Mission Accomplished—SASA Performance a Bold Success
By
Alina Kim
, Arts Editor
April 11, 2019
Professor Austin Carson Spills Secrets About Spilling Blood
By
Alina Kim
, Arts Editor
March 15, 2019
The Hidden World Falls Short of a Happy Landing
By
Alina Kim
, Arts Editor
February 25, 2019
10 Letters a Day Keeps the President’s Headway
By
Alina Kim
, Arts Editor
February 21, 2019
Behind the Floating World, the Weight of Reality
By
Alina Kim
, Arts Editor
February 7, 2019
“Photograph 51” Is Worth a Thousand Words
By
Alina Kim
, Arts Editor
January 21, 2019
Black String Ensemble Treads Line Between Ancient and Modern
By
Alina Kim
, Arts Editor
January 17, 2019
Art Institute Soars With Paintings of the Floating World
By
Alina Kim
, Arts Editor
December 19, 2018
UChicago Symphony Orchestra Displays the Power of Prokofiev
By
Alina Kim
, Arts Editor
December 3, 2018
TwoSet Violin Perfects Their Practice
By
Alina Kim
, Arts Editor
November 29, 2018
UChicago Chamber Orchestra Brings Storytelling to Center Stage
By
Alina Kim
, Arts Editor
November 19, 2018
Michelle Obama Graces the Seminary Co-Op
By
Alina Kim
, Arts Editor
November 15, 2018
38th Annual Humanities Day Celebrates the Life of the Mind
By
Kiera Yu
and
Alina Kim
October 25, 2018
Load More Stories
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