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All content by Ana Klimchynskaya
The Woman in White, the audience in blankets
By
Ana Klimchynskaya
October 8, 2012
A play within a play about theater cliches
By
Ana Klimchynskaya
May 20, 2011
Filament’s muses sing of fate and tragedy
By
Ana Klimchynskaya
April 29, 2011
“Happiness” examines love and art in academia
By
Ana Klimchynskaya
April 26, 2011
Arlecchino’s Odyssey redefines theater
By
Ana Klimchynskaya
April 19, 2011
Hookups and life of the mind not mutually exclusive
By
Ana Klimchynskaya
April 12, 2011
Strawdog Theatre masters classic Russian novel
By
Ana Klimchynskaya
March 8, 2011
Lifeline fails to resurrect Collins’s classic mystery
By
Ana Klimchynskaya
March 4, 2011
If two is not a winner, and three no one remembers, what about Number 4?
By
Ana Klimchynskaya
February 18, 2011
Funk It Up suffocates Shakespeare without rhyme or reason
By
Ana Klimchynskaya
February 4, 2011
Who’s afraid of the big bad Steppenwolf?
By
Ana Klimchynskaya
January 28, 2011
Female fangs overthrow male dominance in Carmilla
By
Ana Klimchynskaya
January 25, 2011
Filament Theatre transports Shakespeare back to his playful roots
By
Ana Klimchynskaya
November 19, 2010
In Pilsen, art becomes a matter of life and death
By
Ana Klimchynskaya
October 29, 2010
Candide takes too many pages out of its own book
By
Ana Klimchynskaya
October 19, 2010
Lifeline’s Wuthering Heights looks at the dark side of romance
By
Ana Klimchynskaya
October 8, 2010
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