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All content by Ivan Ost
Queens Take the Stage at Summer Breeze
By
Brooke Nagler
and
Ivan Ost
May 24, 2018
Amazon’s “Electric Dreams” Lacks a Spark
By
Ivan Ost
, Associate Arts Editor
February 12, 2018
“God of Carnage” Massacres Courtesy to Find Heart
By
Ivan Ost
, Associate Arts Editor
February 8, 2018
MCA Explores a Higher Plane with Paul Heyer
By
Ivan Ost
, Associate Arts Editor
January 25, 2018
“The Last Jedi” Swings at the Past, But Strikes Out
By
Ivan Ost
, Associate Arts Editor
January 4, 2018
UT’s “Next to Normal” Stuns With Powerful Performance
By
Ivan Ost
, Associate Arts Editor
November 21, 2017
Raw, Riotous, and Raunchy, HBO’s “The Deuce” Is an Ace
By
Ivan Ost
, Associate Arts Editor
November 2, 2017
“Improvised Black Mirror” Is Cracked, not Clearer
By
Ivan Ost
, Associate Arts Editor
October 30, 2017
“She Kills Monsters” Duels with Humor and Grief
By
Ivan Ost
, Associate Arts Editor
June 6, 2017
“Twin Peaks” Returns From the Black Lodge
By
Ivan Ost
, Associate Arts Editor
May 29, 2017
Logan Celebrates Five Years of Campus Arts
By
Ivan Ost
, Associate Arts Editor
May 25, 2017
Bummer Breeze: It’s (Not) Raining, We’re Snoring
By
Ivan Ost
, Associate Arts Editor
May 22, 2017
By the Book: Brooker Prizewinners Discuss Their Collections
By
Chloé Bardin
and
Ivan Ost
May 22, 2017
Scenes from Mexican History Come Together in “La Habitación”
By
Ivan Ost
, Associate Arts Editor
May 4, 2017
Abstract Takes Form in RBIM’s “Collective Conscious”
By
Ivan Ost
, Associate Arts Editor
May 4, 2017
Tragedy and Tradition at Latino Film Festival Opening
By
Max Miller
and
Ivan Ost
April 24, 2017
Two New Works, Neither Weak: Making a Killing and Shades
By
Ivan Ost
, Associate Arts Editor
April 17, 2017
Two New Works, Neither Weak: Making a Killing and Shades
By
Ivan Ost
, Associate Arts Editor
April 17, 2017
Concert of Polish Works by Dank Teems with Subtle Politics
By
Ivan Ost
, Associate Arts Editor
April 10, 2017
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