Chicago Maroon

David Fincher’s Zodiac doesn’t pack much punch

By Matt Johnston
March 6, 2007

Rockefeller Chapel to sponsor Iran trip

By Matt Johnston
February 2, 2007

Brosnan Falls from James Bond to the Old West

By Matt Johnston
February 2, 2007

Documentary brings fresh look to Tired genre

By Matt Johnston
January 23, 2007

Alfonso Cuarón fosters a bleak, hopeless future for Children of Men

By Matt Johnston
January 9, 2007

Top 5 Films of 2006—Matt Johnston

By Matt Johnston
January 9, 2007

Scholars tackle timeless theological problem

By Matt Johnston
November 28, 2006

Boyer, Michel reflect on College

By Matt Johnston
November 17, 2006

Doctors tackle health care, ethics

By Matt Johnston
November 14, 2006

Forster’s Fiction is strange—but not in a good way

By Matt Johnston
November 10, 2006

Pre-law students do not sweat test changes

By Matt Johnston
November 7, 2006

Controversy meets moral Death in neo-documentary

By Matt Johnston
October 31, 2006

Panelists debate space weaponization

By Matt Johnston
October 27, 2006

The Prestige’s tricks dazzle, but final twist flops

By Matt Johnston
October 24, 2006

Scorsese embraces genre conventions in The Departed

By Matt Johnston
October 10, 2006

Gondry weaves substanceless dreams in his Sleep

By Matt Johnston
October 3, 2006

Penn’s charisma reigns, but rest of King’s Men falters

By Matt Johnston
October 1, 2006

Zwigoff’s follow-up to Ghost World needs sharper satire of Art School

By Matt Johnston
May 15, 2006

Water flavored by controversy, Bollywood aesthetics

By Matt Johnston
May 9, 2006

Riveting United 93: Too soonor not soon enough?

By Matt Johnston
May 2, 2006

Dardenne Brothers episodic LEnfant too derivative to deserve its acclaim

By Matt Johnston
April 21, 2006

Puzzling Number Slevin not Lucky for audiences

By Matt Johnston
April 14, 2006

Brick evokes noir atmosphere but lacks cohesion

By Matt Johnston
April 11, 2006

This stomach-churning film needs to Slither back to where it came from

By Matt Johnston
April 4, 2006

Night Watch is a violent, visceral ride from Russia

By Matt Johnston
March 3, 2006

Von Trier’s heavy-handed Manderley aims for a few too many targets

By Matt Johnston
February 21, 2006

A Good Woman is hard to find in this bloodless Oscar Wilde adaptation

By Matt Johnston
February 17, 2006

Tommy Lee Jones finds black humor among corpses in Three Burials

By Matt Johnston
February 7, 2006

A spoonful of sugar doesn’t make Nanny McPhee any easier to swallow

By Matt Johnston
February 3, 2006

Nature takes precedence over dialogue in Malick’s quiet New World

By Matt Johnston
January 27, 2006

French thriller Caché rachets up the voyeuristic suspense sans payoff

By Matt Johnston
January 17, 2006

Advantage Allen: Match Point ranks among his best

By Matt Johnston
January 10, 2006

Spielberg’s ambitious Munich skimps on the emotions behind the explosions

By Matt Johnston
January 6, 2006

Four Weddings director Mike Newell conjures best Potter picture yet

By Matt Johnston
November 22, 2005

Creatures of the night should embrace Rocky Horror

By Matt Johnston
November 1, 2005

You mean there’s a plot, too? Visuals are only the icing on this Layer Cake

By Matt Johnston
May 23, 2005

House of Wax is no classic, but it serves up the scares

By Matt Johnston
May 6, 2005

Kidman shines in Pollack’s thoughtful U.N. drama

By Matt Johnston
April 25, 2005

Despite visuals, you can’t teach an Oldboy new tricks

By Matt Johnston
April 12, 2005

Troy’s plot is skimpier than one of Brad Pitt’s leather skirts, but that’s not so bad

By Matt Johnston
May 21, 2004