[Photo] At the Court Theatre, “The Lion in Winter” is Compelling, but Unimaginative By Nora Schultz November 29, 2023
[Photo] Love, Identity, and Pink Jumpsuits: A Review of Steppenwolf Theater’s "Chlorine Sky" April 16, 2023
[Photo] Yasen Peyankov Is Spectacular in Steppenwolf’s Deep and Disturbing "Describe the Night" April 10, 2023
[Photo] “Right To Be Forgotten” Is a Welcome, If Somewhat Distracted, Portrayal of Internet Privacy Debates March 1, 2023
[Photo] Steppenwolf’s “1919” Brings Eve Ewing’s Poetry to Vivid and Insightful Life By Reema Saleh January 25, 2023
[Photo] Steppenwolf’s "Miz Martha" is a Feverish, Elaborate, and Infuriatingly Didactic Production October 19, 2022
[Photo] “King James” Review: A Meditation on Friendship, Race, and Basketball By Noah Glasgow April 12, 2022
[Photo] “Bug” Should Be Watched as Closely as the Surveillence State Is Watching You By Anna Aguiar Kosicki February 26, 2020
[Photo] In “Indecent,” Art Provides Solace While Also Prompting Homophobic Backlash By Sebastian Von Stauffenberg October 23, 2018
[Photo] Court’s “Harvey” Mixes Giant Rabbits and Psychiatrists By Emily Ehret, Associate Arts Editor May 22, 2017
[Photo] Who Runs the World? Still Straight White Men, With One Condition By Hannah Edgar, Deputy Editor-in-Chief February 13, 2017
![[From left to right] Samuel B. Jackson, Akili Ni Mali, Tiffany Renee Johnson, Destini Huston and Demetra Dee in Steppenwolf's “Chlorine Sky.”](https://chicagomaroon.com/wp-content/uploads/2023/04/Chlorine-Sky-2.-Photo-by-Michael-Brosilow-900x661.jpg)
