Disney’s “The Rise of Skywalker” is Outrageous and Unfair to the Star Wars Legacy By Wlad Sarmiento, Associate Arts Editor January 21, 2020
“Knives Out” Is a Sharp and Funny Whodunit for Our Times By Wlad Sarmiento, Associate Arts Editor November 27, 2019
The Intense, the Funny, and the Less Funny: 55th CIFF Review By Wlad Sarmiento, Associate Arts Editor November 8, 2019
Lulu Wang Goes Above And Beyond With “The Farewell,” And She’s Only Getting Started By Wlad Sarmiento, Associate Arts Editor July 25, 2019
“The Farewell” Teaches Us How to Welcome Our Differences Before Saying Goodbye By Wlad Sarmiento, Associate Arts Editor July 18, 2019
Detective Pikachu Uses Humor! It’s Not Very Effective… By Wlad Sarmiento, Associate Arts Editor May 17, 2019
The Standard Badass Superhero of Captain Marvel By Wlad Sarmiento, Associate Arts Editor March 21, 2019
“The Crimes of Grindelwald”: A Failed Magic Trick By Wlad Sarmiento, Associate Arts Editor November 19, 2018
Entertainment is Dead in the Water in “Hunter Killer” By Wlad Sarmiento, Associate Arts Editor October 29, 2018
Heroes and Galaxies Converge In “Avengers: Infinity War” By Wlad Sarmiento, Associate Arts Editor May 7, 2018
In “A Quiet Place,” Whispers Frighten More than Screams By Wlad Sarmiento, Associate Arts Editor April 19, 2018
“Ready Player One” Courts Fans with Nostalgia, But Makes Predictable Moves By Wlad Sarmiento, Associate Arts Editor April 12, 2018
Gary Oldman Shines in Churchill Biopic “Darkest Hour” By Wlad Sarmiento, Associate Arts Editor February 5, 2018
