
The “Write” Way to Get Involved on Campus
By Zachary Leiter and Natalie Manley
/ September 19, 2023

The Hunt for UChicago’s Superior Matcha
By Lainey Gregory and Miki Mukawa
/ September 19, 2023

Let’s Taco ’Bout Food Trucks
By Lainey Gregory
/ September 19, 2023

The Rhythms and Revelations of Pitchfork Music Festival 2023
By Jordyn Flaherty and Mete Bakircioglu
/ September 2, 2023

Chopin Theatre’s “The SpongeBob Musical” Makes a Medium-Sized Splash
By Miki Mukawa, Associate Arts Editor
/ September 2, 2023

Key Glock’s Juxtaposition of Unhinged Antics and Wholesome Sentiments
By Lainey Gregory, Associate Arts Editor
/ June 23, 2023

Aztec Apocalypse With Director Jay Españo
By Toby Chan, Arts Reporter
/ June 9, 2023

Love and Death at the End of the World
By Toby Chan, Arts Reporter
/ June 7, 2023

The Flaming Lips Take Flight at the Salt Shed
By Toby Chan, Arts Reporter
/ June 6, 2023
![In a simple white T-shirt and black jeans, [Lewis Capaldi] leaned into the audience, his hair seemingly blowing in the breeze.](https://chicagomaroon.com/wp-content/uploads/2023/06/Lewis-1200x800.jpg)
Lewis Capaldi: The Artist for Sad, Single People
By Lainey Gregory and Sofia Hrycyszyn
/ June 6, 2023

A Lot of Gecs: 100 Gecs Takes On the Aragon
By Sofia Hrycyszyn, Arts Reporter
/ June 6, 2023
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