Following the U.S. premiere of Trash Mountain at the 62nd Chicago International Film Festival, Caleb Hearon discusses the details of this upcoming indie film that he stars in and co-wrote.
On October 9, Hobert enchanted the audience with equal parts playful humor and blunt honesty, fostering an atmosphere for unapologetic self-expression.
Associate Arts Editor Gabby Mansilla takes a look into some of the artists who performed at Riot Fest 2026, showcasing the range of women in alternative music.
Associate Arts and Culture Editor Violet Conklin reviews the newest Sci-Fi to hit the big screens: The End of Oak Street: a story of a family of four doing whatever it takes to survive their new neighbors from the Mesozoic Era.
Thirty-five years after Lollapalooza got its start as a touring festival centered in alternative music, six performances reveal how the genre, and the festival, have evolved.
The band stopped at Tinley Park’s Credit Union 1 Amphitheatre during its first major world tour in four years, celebrating the release of its new album, Sanctuary.
Craig Gillespie’s 2026 adaptation of a critically acclaimed graphic novel is a turbulent ride.
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