The University of Chicago’s Independent Student Newspaper since 1892

Chicago Maroon
The University of Chicago’s Independent Student Newspaper since 1892

Chicago Maroon
The University of Chicago’s Independent Student Newspaper since 1892

Chicago Maroon
Jade Chinese Music Ensemble members take a final bow after their Spring Concert of "Music in Popular Chinese Culture." Courtesy of Emma Edwards.

Jade Chinese Music Ensemble Blends East and West

By Jessalin Nguyen / June 20, 2025

Starting with rustic folk music from the Qing Dynasty, the Jade Chinese Music Ensemble took its audience on a journey through time and space at Logan Performance Hall in early May. The Jade Chinese Music...

In her first night at the Salt Shed, Michelle Zauner cultivated a dreamy aura with a graceful stage presence and an unabashed flair.

Japanese Breakfast Brings a Bittersweet Taste to the Salt Shed

By Nolan Shaffer and Ciara Balanzá / June 16, 2025
At the For Melancholy Brunettes (& Sad Women) tour, Michelle Zauner refreshingly evoked the album’s dreaminess and titular emotion.
"Dance for me Wallis" choreographed by Siqi Xu. Courtesy of Rhythmic Bodies in Motion.

Rhythmic Bodies in Motion Stuns at Annual Showcase

By Violet Conklin / June 14, 2025
The UChicago dance RSO reminds the audience to be Here, There, Everywhere.
Chad Bay and Justin Albinder in Yasmina Reza’s Art. Courtesy of Nomee Photography.

Remy Bumppo’s Art Is Bright White and Brilliant

By Zachary Leiter / June 8, 2025
Art is fleeting, of a time and place, and, at its best, transformative.
Tyler Hyde, de facto lead vocalist of Black Country, New Road, exemplifies their new sound with her bow poised over the bass strings and her pick hanging out of her mouth.

Black Country, New Road is Back with a New Sound

By Josie Barboriak and Sofia Hrycyszyn / June 8, 2025
Folksy and upbeat, with colorful strings reminiscent of its cover art of a sun in sunglasses, Black Country, New Road’s Forever Howlong is the album of the summer.
Dan Cobbler, David Lovejoy, and Genevieve Corkery in Bertolt Brecht’s Galileo. Courtesy of J. Michael Griggs.

A Naked Astronomer and a Twice-Clothed Pope: Trap Door’s Galileo Thrills

By Zachary Leiter / June 8, 2025
This is a show so full of spectacle and movement, noise and light, that one cannot help but be snatched and thrashed alongside Galileo.
The film poster for Friendship. Courtesy of A24.

Allegory of the Man Cave

By Shawn Quek / June 6, 2025
Friendship marks Andrew DeYoung’s disturbingly funny and brilliantly off-putting directorial debut.
Kris Tori, Marvin Tate, Willie Round, and Matt Fleming in Richard Maxwell’s The End of Reality. Courtesy of Karl Soderstrom.

Two Spectacular Hours of Nothingness and Blood in The End of Reality

By Zachary Leiter / June 4, 2025
The audience, like it or not, is stuck in this world, with all its monotony, uncertainty, and sudden flashes of light and darkness.
Benny (Benito Skinner), Carmen (Wally Baram), and Hailee (Holmes) in Overcompensating. Courtesy of Jackie Brown/Amazon Prime Video.

Overcompensating and the Comedy of College

By Miki Mukawa / May 27, 2025
We’re often told that college is a place to reinvent yourself and have a fresh start. But what if the self you invent isn’t true?
Jacob “Average” Johnson stands in front of the Regenstein Library holding his saxophone. Courtesy of Jacob Johnson.

Seven Years Later, Average Johnson Still Captures the UChicago Zeitgeist

By Katherine Weaver / May 22, 2025
Katherine Weaver revisits the legendary album Views from the Reg with Jacob Johnson, better known as Average Johnson.
During the night’s finale, dancers stepped into an improvised Hip-hop sequence.

Grooving to the Beat at “Where Fun Comes to Dance”

By Ciara Balanza / May 22, 2025
At the annual showcase of dance RSOs, laughter, expression, and togetherness won out.
Moda designers and models pose before a mural by Robert Earl Paige, wearing items inspired by his work. Courtesy of Ian Brundige.

Smart Museum Celebrates Robert Earl Paige with Moda

By Ciara Balanza / May 22, 2025
Student fashion designers riff on Southside artist Robert Earl Paige’s Give the Drummer Some! exhibit.
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