Following the U.S. premiere of Trash Mountain at the 62nd Chicago International Film Festival, Caleb Hearon discusses the details of this upcoming indie film that he stars in and co-wrote.
Associate Arts and Culture Editor Violet Conklin reviews the newest Sci-Fi to hit the big screens: The End of Oak Street: a story of a family of four doing whatever it takes to survive their new neighbors from the Mesozoic Era.
The Maroon sat down with director Olivia Wilde to discuss her new A24 film, The Invite, which follows a marriage as it oscillates between intimacy and emotional distance.
The Drama is a hilarious and terrifying modern meditation on the limits of romantic love, driven by directorial promise, astute editing, and captivating performances.
Emerald Fennell’s Wuthering Heights sacrifices the emotional depth and poignant commentary of Brontë’s original, offering a lackluster pornographic rendition of the gothic classic.
In Marty Supreme, director Josh Safdie uses ping-pong as the engine for a ferocious, funny meditation on ambition and obsession.
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